This is going to be a post that will be edited now and again as I go along with this idea, in part because I am still refining my thoughts on it and in part because I don’t have all of the materials in hand today that contribute to the critical frame from which I [...]
Category Archives: The Blind Assassin
Story within a story, photo in both places
In the prologue of The Blind Assassin by Laura Chase, in The Blind Assassin by Margaret Atwood, the ubiquitous photograph is described. Man and woman sitting under a tree, a hand cropped from the frame. The man’s face is shaded by a light colored hat, his hand outstretched (protecting himself, protecting her,) cigarette between his [...]
Calling Dr Simile
The season is turning on its hinges, the earth swings farther from the light; under the roadside bushes the paper trash of summer drifts like an omen in the snow. [p222]
I’m totally at sea about the phrase, “drifts like an omen in the snow.” This is the chapter (The Imperial Room) where Iris talks about [...]
Blind Readings — an oxymoronic experience
Gerard Genette wrote a book several years back called Paratexts. While I have not waded through the whole thing (yet) I have through other avenues gained some sense of his arguments/ideas. They are core components of literary theory these days, particularly when thinking about texts and reader-response to those texts. Under the [...]
