The Door in the Wall

This short story deserves a second reading. It has an interesting narrative voice that relates a story of a friend’s memory. Throughout the reading I couldn’t help thinking that the door in the wall is meant to represent opportunity. It is a peculiar telling.

3 Comments

  1. Posted 31 May 2009 at 11:23 am | Permalink

    I sent that little story along to you as our narrator makes reference to “the door in the wall” at least twice in his telling us about his early experiences with Brideshead. I’ll have more to say and in better words after I get this paper out of the way . . .

    I also corrected the Category link to reflect a tie to Brideshead for us.

  2. Posted 6 June 2009 at 10:51 pm | Permalink

    When Sebastian invites Charles out to lunch as contrition for his behavior the previous night, there is this musing,

    I went there uncertainly, for it was foreign ground and there was a tiny, priggish, warning voice in my ear which in the tones of Collins told me it was seemly to hold back. But I was in search of love in those days, and I went full of curiosity and the faint unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.

    This “low” door is not so obvious and not as traveled. I like the phrase, “not overlooked by any window,” as if to say you can go there privately without anyone knowing the path you’ve selected.

  3. Posted 28 June 2009 at 10:05 pm | Permalink

    Wells wrote his short story in 1906. I am sure he did not invent the phrase or the idea of “the door in the wall.” What is interesting is the proliferation of books and stories springing from that motif; consider the following as examples: a 1949 novel by Marguerite de Angeli that received the Newbery Medal for excellence in American children’s literature in 1950, and Storming Heaven: LSD and the American Dream by Jay Stevens. I am only mildly surprised that Huxley did not overtly refer to it in his Doors of Perception.

    I believe you are on the right track tying the idea to “opportunity.” This is reinforced by Charles’ words when leaving Brideshead after being accused of wanton cruelty by Lady Marchmain:

    I felt I was leaving part of myself behind, and that wherever I went afterwards I should feel the lack of it . . .

    His “opportunities” for moving up in the world have been foreclosed (albeit temporarily). He even makes reference to buried treasures which could be construed as a backward reference to the day spent with Sebastian eating strawberries and drinking champagne and smoking Turkish cigarettes, which was the day of his first visit to Brideshead. All other visits thereafter were revisits. The question remains: is the last visit he tells us of truly the last re-visit?

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